One-way vision film in Fleet

Water fills the holes, blurring the view from inside, while droplets scatter the printed image. Clear laminate over the film seals the perforations, so rain runs off and the view clears once the glass dries, which is why laminate is standard for long-term use.

In daylight, not easily: people outside see the print while you see out. After dark, with lights on inside, the film becomes see-through from the street and the image fades. For evening privacy, add blinds or use solid graphics in that area.

If the job needs it, yes. For signs fixed to a building, anything illuminated or work at height, we arrange a survey to measure, check the wall and plan access. For window graphics, lettering and many vehicle jobs, clear photos with measurements are often enough, and we only visit if something needs a closer look.

The usual causes are artwork changes after the proof stage, waiting for consent, access arrangements such as a council licence for scaffolding on the pavement, and weather for outdoor fitting. Jobs typically run smoothly once the proof is approved and any consent is in place, but we do not promise dates that depend on things outside our control.

Yes: £32–£62 per m² + VAT is our guide range. It is not a fixed quote, because no two jobs are the same size or on the same surface. The area covered, materials, the number of letters or panels, removal of anything old and access all change the figure, which we confirm after seeing the site or artwork.

Usually, with care. Gently curved glass, such as many van and car rear screens, is fine. On factory-tinted privacy glass the film adds to the tint, so the view out can become too dark; 50/50 film and a sample check first are sensible.